salt rose or topaz

sapphrikah: fazstreetart: At the STWTS opening, I asked people...

Sun, 19 May 2013 01:14:07 -0700

fazstreetart:

At the STWTS opening, I asked people to write their own captions to street harassers.

From Stop Telling Women to Smile Opening at Fresthetic on April 12, 2013. Brooklyn, NY.

Photos by Tatyana Fazlalizadeh

Perfect.

artsexsurvival: A rare early 18th century Memento Mori band...

Sun, 19 May 2013 00:54:21 -0700

artsexsurvival:

A rare early 18th century Memento Mori band gold known as a skeletal, as the whole length of the skeleton is employed on the outside of the hoop, with other emblems. The earliest known example is dated 1659. This ring is enamelled in black with a full skeleton, twin hearts for love and an hourglass, symbolic of the passage of time and the brevity of life.

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Sun, 19 May 2013 00:53:36 -0700

italdred: cathédrale saint-andré (by shining example)

Fri, 17 May 2013 14:01:46 -0700

italdred:

cathédrale saint-andré (by shining example)

'Scuse me while I kiss the sky: fuckyeahcracker: Effects Of Thinking White People Are “All Like...

Fri, 17 May 2013 14:01:10 -0700

'Scuse me while I kiss the sky: fuckyeahcracker: Effects Of Thinking White People Are “All Like...:

fuckyeahcracker:

Effects Of Thinking White People Are “All Like That”:

Literally nothing other than white people having their feelings hurt on the internet

I’m not joking there is no real world consequence of this

Effects Of Thinking People of Color Are “All Like That”:

Saudi…

thebestworstidea: softgore: “This piece was primarily a trust...

Thu, 16 May 2013 23:59:01 -0700

thebestworstidea:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.

I want you to think about what you said.

What you keep saying.

What you are telling your children.

You are making them powerless.

womenwhokickass: Isabella Kauakea Yau Yung Aiona Abbott: Why...

Thu, 16 May 2013 23:47:14 -0700

womenwhokickass:

Isabella Kauakea Yau Yung Aiona Abbott: Why she kicks ass

She was an educator and ethnobotanist from Hawaii, who became the first Hawaiian woman to receive a Ph.D. in science, and the leading expert on Pacific algae.

She wrote eight books and over 150 publications on Hawaiian seaweed, from scientific reference guides to books about her ethnobotanical studies—which reveal that under the kapu system, women in ancient Hawaiian culture were the community’s seaweed harvesters. (Before her publications, no extensive resource existed on Hawaiian limu.)

She was considered the world’s leading expert on Hawaiian seaweeds, known in the Hawaiian language as limu. She was credited with discovering over 200 species, with several named after her, including the Rhodomelaceae family (red algae) genus of Abbottella. This has earned her the nickname “first lady of limu”.

She was a professor emerita of the University of Hawaii, as well as Stanford University, where she taught for 32 years, and was the first female professor in the school’s biological sciences department.

She grew up in Honolulu, and graduated from Kamehameha Schools in 1937. She received her undergraduate degree in botany at the University of Hawaii at Mānoa in 1941, a master’s degree in botany from the University of Michigan in 1942, and a Ph.D from the University of California, Berkeley in 1950.

In 1960 she started teaching summer classes as a lecturer at Hopkins. She compiled a book on Marine algae of the Monterey peninsula, which later was expanded to include all of the California coast. In 1972 Stanford took the unusual step of promoting her directly to a full professor. In 1982 both Abbotts retired and moved back to Hawaii, where she was hired by the University of Hawaii to study ethnobotany, the interaction of humans and plants.

In 1997 she received the Gilbert Morgan Smith Medal from the National Academy of Sciences. In 2008 she received a lifetime achievement award from the Hawaii Department of Land and Natural Resources for her studies of coral reefs.

She was the G. P. Wilder Professor of Botany from 1980 until her retirement, and then was professor emerita of Botany at the University of Hawaii. She served on the board of directors of the Bernice P. Bishop Museum.

In November 1997 she co-authored an essay in the Honolulu Star-Bulletin criticizing the trustees of Kamehameha Schools, which led to its reorganization.

In 2005, she was named a Living Treasure of Hawai’i. Abbott died October 28, 2010 at the age of 91 at her home in Honolulu.

nitanahkohe: Releasing buffalo back onto the land. The Buffalo...

Thu, 16 May 2013 23:42:22 -0700

nitanahkohe:

Releasing buffalo back onto the land. The Buffalo Hump Sanctuary is a grassroots organization on the Pine Ridge Reservation based in the community of Slim Butte. The organization is focused on sustainable land-use through the restoration of the sacred tatanka oyate (Buffalo Nation) to Pine Ridge Reservation and the northern plains. [source]

“The more they told me: you’re a girl, you can’t paint...

Thu, 16 May 2013 23:41:01 -0700

“The more they told me: you’re a girl, you can’t paint graffiti, you can’t go to subways, because you’re a girl, you’re a mere female; I had to stand up and just shut them up.” —Lady Pink

Photo

Thu, 16 May 2013 23:15:11 -0700

dynamicafrica: Paintings of palace guards in Cairo, Egypt, by...

Thu, 16 May 2013 23:07:47 -0700

dynamicafrica:

Paintings of palace guards in Cairo, Egypt, by Austrian painter Ludwig Deutsch.

staceythinx: Botanical beauties from Andrew Zuckerman’s Flower...

Thu, 16 May 2013 00:35:31 -0700

staceythinx:

Botanical beauties from Andrew Zuckerman’s Flower book.

Buddha’s hands, from the Mustang caves in Nepal.

Wed, 15 May 2013 00:32:58 -0700

Buddha’s hands, from the Mustang caves in Nepal.

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Wed, 15 May 2013 00:25:36 -0700

christopherschreck: Henri Matisse, The Pink Studio, 1911

Wed, 15 May 2013 00:25:24 -0700

christopherschreck:

Henri Matisse, The Pink Studio, 1911

"We have to consciously study how to be tender with each other until it becomes a habit."

Tue, 14 May 2013 23:48:41 -0700

“We have to consciously study how to be tender with each other until it becomes a habit.”

- Audre Lorde (via ryanbhilliard)

candypriceless: ‘Untitled #479’ 1975 | Cindy Sherman Among...

Mon, 13 May 2013 10:00:00 -0700

candypriceless:

‘Untitled #479’

1975 | Cindy Sherman

Among Sherman’s earliest works, Untitled #479 (1975) gives evidence of the creative mode that would become her signature. It also reveals a telling affinity with Warhol’s Photobooth Self-Portraits (ca.1963). Sherman has identified this composite of 23 wallet-size pictures—made for a class assignment when she was still a student at Buffalo State College—as her “first serious work.”

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Mon, 13 May 2013 09:49:40 -0700

Sun, 12 May 2013 19:42:50 -0700

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Sun, 12 May 2013 19:42:08 -0700